"Incredible Detail - Across Creative Connections"
The Smiths Gift for Fans | Music Tube Map Art Print
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£42.00 GBP - Regular price
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£42.00 GBP
In short: An original gift for The Smiths fans and music lovers, ready to frame and give. A Smiths band split tube map art print in two halves, Morrissey above and Johnny Marr below, drawing every credited musician as a tube line with The Smiths, Meat Is Murder, The Queen Is Dead, and Strangeways, Here We Come as the stations where those lines converge, then following both men out the other side into everything they made apart.
Giclée on 230gsm textured matte fine art paper, archival and acid-free. Available in A2 or A1 portrait (US sizing 18 x 24 in and 24 x 36 in), unframed or in a black wooden frame. Deeply researched and designed by me in East Sussex.
I designed this one as a composite - two full maps stacked on a single portrait sheet - because the four Smiths albums only tell half the story. Morrissey runs across the top with the band years and his solo catalogue; Johnny Marr runs underneath with the band years and everything he played on afterwards, so every credited musician is their own named line, calling out each studio album they appear on.
The stations run chronologically from the 1984 debut, through Meat Is Murder and the landmark The Queen Is Dead, to Strangeways, Here We Come, with Andy Rourke and Mike Joyce running unbroken across all four and one-off contributors branching off as short spurs. After 1987, the two halves separate and never rejoin, which is the point of the layout: you can put a finger on where the split happens and follow each route out from there. It is wall art for anyone who has argued about which of them needed the other more, and a ready-made gift for someone who came in through one song.
Why this Smiths discography tube map art makes a gift fans keep
If you are buying for a Smiths fan, this goes past the obvious present. I research every map deeply, checking release dates and running order so the sequence is right, which lets the person receiving it follow the band's short, perfect run. It makes a birthday or Christmas gift for the Smiths fan in your life - the kind of present that gets framed and kept rather than opened once and shelved.
Contributing musicians on the map
Morrissey, Johnny Marr, Andy Rourke and Mike Joyce run as the four constant lines across all four studio albums, a rare case of a band's entire catalogue sharing an unbroken line-up. Paul Carrack, later of Squeeze and Mike and the Mechanics, guests on piano and organ on three tracks of the 1984 debut, a quiet but genuine crossover into the wider session world.
The map earned its space after 1987. Morrissey's half opens with Vini Reilly of The Durutti Column on guitar and Stephen Street on bass for Viva Hate in 1988, then Mark E Nevin of Fairground Attraction writing Kill Uncle, before the line-up settles into the one that carries most of the catalogue: Boz Boorer and Alain Whyte on guitars, Gary Day on bass and Spencer Cobrin on drums. Boorer is the longest single line on that half of the sheet, running from 1991 through to the most recent records, and Ennio Morricone arranging strings on a track of Ringleader of the Tormentors in 2006 is as unlikely a station as anything I have plotted.
Marr's half runs wider rather than deeper. He is a full band member on The The's Mind Bomb in 1989 and Dusk in 1993, alongside Matt Johnson, then a co-writer and guitarist in Electronic with Bernard Sumner of New Order across three albums from 1991, with Neil Tennant and Chris Lowe of Pet Shop Boys guesting on the debut and Karl Bartos of Kraftwerk co-writing on Raise the Pressure. Boomslang in 2003 brings in Zak Starkey on drums and Alonza Bevan of Kula Shaker on bass, then he joins Modest Mouse for We Were Dead Before the Ship Even Sank in 2007 and The Cribs for Ignore the Ignorant in 2009, before four solo albums of his own from The Messenger in 2013 to Fever Dreams Pts 1 to 4 in 2022.
That contrast is the reason I built this as two maps rather than one. Morrissey's half is a narrow bundle of lines running a very long way; Marr's is a wide fan of short ones, and you can read the two temperaments in the linework before you get to a single station name.
How I make each print
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A2 or A1, unframed or supplied in a black wooden frame, ready to hang as art prints in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A2 | 420 x 594 mm (16 x 23 in) | 18 x 24 in | Portrait |
| A1 | 594 x 841 mm (23 x 33 in) | 24 x 36 in | Portrait |
FAQ
Did the line-up ever change?
No, Morrissey, Johnny Marr, Andy Rourke and Mike Joyce are credited on all four studio albums.
Who is Paul Carrack?
A guest keyboard player on the 1984 debut, later known for his work with Squeeze and Mike and the Mechanics.
Is the map in release order?
Yes, the stations run chronologically from the 1984 debut to Strangeways Here We Come in 1987.
What frame options are there?
Unframed, or in a black wooden frame, ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the The Smiths collection at mikebellmaps.com.
This print is a composite of two maps I designed to stand on their own, so if you want one career rather than the split, each is available separately. The Morrissey Discography Map Art Print plots the band years and the full solo catalogue, and the Johnny Marr Discography Map Art Print does the same for the band years and everything he played on afterwards.
What people say about my maps
"Brilliant idea... really like what you've done, Mike." - Billy Bragg
"It is truly amazing." - Bruce Springsteen Archives, Monmouth University
"Awesome!" - Warren Ellis
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Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames, glazing, and canvas options that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Ready-to-hang framed art prints, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Stretched canvas option available on a 4cm deep floater frame
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Frame Types and Materials
- Material: Solid, real wood construction
- Finishes: Available in black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Canvas frames: Specialised 4cm deep floater frames that give the canvas a suspended, gallery-style look
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
- Canvas depth: 4cm deep on floater frames
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Arrives fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Canvas Option
For customers who prefer a frameless wall presence, every map is also available as a stretched canvas print on a 4cm deep floater frame. Same Giclée image quality, presented with a suspended, gallery-style depth that works well on larger walls. Ready to hang straight from the box.
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Every one of my prints is the result of my detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.

I take pride in the precision behind every connection, date, and credit featured across the collection.
Meticulous Research, Human Process
My research combines album liner notes, musicians' inputs, session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.

Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the historical accuracy of the maps.
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise, it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movie, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.

