The Smiths Discography Tube Map Art Print
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$42.00 - Regular price
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- Sale price
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$42.00
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PRINT SIZES: A2 Giclée Art Print - 16x23" / 42x59.4 cm | A1 Giclée Art Print - 23x33" / 59.4x84.1 cm | Visuals are representative of products in frames.
Why is this Smiths Music Art Print a perfect gift for Smiths fans?
This is a perfect gift for Smiths fans who have spent years arguing about which of them needed the other more, because this is two maps on one sheet: Morrissey along the top, Johnny Marr underneath, and the exact station where they separate. They own the four albums already. This is what happened next, in both directions.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Available in A3, A2 or A1, with US sizes of 16 x 12 in, 24 x 18 in and 36 x 24 in. A3 comes unframed; A2 and A1 come unframed or framed. Deeply researched and designed by me in East Sussex.
I plot these in CAD software. Every credited musician becomes a transit line, every album becomes a station, and anyone who appears only once gets a branch line of their own.
I built this one as a composite - two full maps stacked on a single portrait sheet - because the four Smiths albums only tell half the story. Morrissey runs across the top with the band years and his solo catalogue. Marr runs underneath with the band years and everything he played on afterwards.
The stations run chronologically from the 1984 debut, through Meat Is Murder and The Queen Is Dead, to Strangeways, Here We Come. After 1987, the two halves separate and never rejoin, which is the point of the layout: you can put a finger on the split and follow each route out from there.
The four albums are the easy part. What no poster or tracklist shows is the shape of the two careers that came out of them, side by side and to the same scale.
Morrissey's half is a narrow bundle of lines running a very long way. Marr's is a wide fan of short ones. You can read the two temperaments in the linework before you reach a single station name.
Contributing musicians on the map
Morrissey, Johnny Marr, Andy Rourke and Mike Joyce are credited on all four studio albums, an unbroken line-up across an entire catalogue, which is rarer than it sounds and unusual to see on one of my maps.
The debut carries two guests. Paul Carrack, later of Squeeze and Mike and the Mechanics, plays piano and organ on three tracks, and Annalisa Jablonska provides the female voice on Pretty Girls Make Graves and Suffer Little Children.
Morrissey's half opens with Vini Reilly of The Durutti Column and Stephen Street on Viva Hate, then Mark E. Nevin of Fairground Attraction on Kill Uncle, before settling into the line-up that carries most of the catalogue: Boz Boorer and Alain Whyte on guitars, Gary Day on bass, Spencer Cobrin on drums. Boorer runs from 1992 to the most recent records, and Ennio Morricone arranged strings on Ringleader of the Tormentors in 2006.
Marr's half runs wider rather than deeper. He is a full band member in The The alongside Matt Johnson, then a co-writer in Electronic with Bernard Sumner of New Order, with Neil Tennant and Chris Lowe guesting and Karl Bartos of Kraftwerk co-writing. Later, he joins Modest Mouse, then The Cribs, before four solo albums of his own.
That contrast is the reason this exists as two maps rather than one.
Print Specifications:
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A3, A2 or A1 (A3 unframed only, A2 and A1 unframed or framed), ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A3 | 297 x 420 mm (12 x 16 in) | 12 x 16 in | Portrait |
| A2 | 420 x 594 mm (16 x 23 in) | 18 x 24 in | Portrait |
| A1 | 594 x 841 mm (23 x 33 in) | 24 x 36 in | Portrait |
FAQ
Why is this print portrait rather than landscape?
Because it is two complete maps stacked on one sheet, Morrissey above and Marr below, so that the split in 1987 lines up vertically.
Did the line-up ever change?
No. Morrissey, Johnny Marr, Andy Rourke and Mike Joyce are credited on all four studio albums.
Who is Paul Carrack?
A guest on piano and organ on three tracks of the 1984 debut, later known for his work with Squeeze and Mike and the Mechanics.
Which half of the map is busier?
Marr's, in width. He passes through The The, Electronic, Modest Mouse, The Cribs and four solo albums. Morrissey's half is longer but narrower.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the Smiths collection at mikebellmaps.com.
This print is a composite of two maps that also stand on their own, so if you want one career rather than the split, each is available separately. The Morrissey Discography Map Art Print plots the band years and the full solo catalogue, and the Johnny Marr Discography Map Art Print does the same for the band years and everything afterwards.
Shipping & Fulfilment
No import duties - fulfilled locally in the UK, USA, and EU
Tracked delivery across the UK, US, and EU (Royal Mail in the UK), with delivery calculated at checkout. Printed, mounted, framed, and packed in an average of 1--2 business days, then shipped in an average of 3--5 business days. Estimated delivery dates are shown at checkout.
Schedules are subject to workshop workloads across the UK, EU, USA, Canada, and Australia.












Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames and glazing that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Available in two sizes, A2 and A1, plus the US equivalents 24 x 18in and 36 x 24in
- Supplied unframed, or as a ready-to-hang framed art print, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Sizes
- A2: 420 x 594mm, sold in the US as 24 x 18in
- A1: 594 x 841mm, sold in the US as 36 x 24in
A1 is the size I point most people at where the wall allows it, because the branch lines and the smaller credits stay legible.
Frame Types and Materials
- Material: Solid, real wood construction
- Finish: Black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Unframed: The print on its own, supplied rolled in protective packaging
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Framed prints arrive fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Each of my prints is the result of detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.
I take pride in the precision behind every connection, date, and credit featured across the collection.

Meticulous Research, Human Process
My research combines album liner notes, musicians' input session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.
Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the maps' historical accuracy
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise; it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movies, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
Joins, gaps and returns stay on the line
Each map is plotted in CAD from liner notes and archives in East Sussex. A musician who leaves and comes back shows a break, then a rejoin. Constant members run the full length. Guests sit on short spurs.
Drawn in CAD
Every credited player is a route, plotted line by line so the network stays readable at a glance.
The gap is part of the story
When a line breaks and returns, you see the absence as clearly as the credit.
From the sleeves
Designed from archives and sleeve credits, not a guessed line-up.
Paper that holds the lines
Archival Giclée, made to order
Printed on 230gsm premium fine art paper with a textured matte, archival and acid-free finish, so the fine coloured routes stay sharp.
Giclée art print
Glossy poster
Landscape sizes that fill a wall
Pick A3, A2 or A1 in landscape. A2 and A1 can arrive in a black-wood frame, ready to hang.
The career the records cannot show
Every credit and every handover on one sheet. Hang it with other Manchester maps from the same series.
The print
Gifting
Is this a poster?
It is an art print, made to order as a Giclée on 230gsm archival fine art paper with a textured matte surface.
What does one sheet give you that the albums do not?
The full credited cast at once: who stayed, who left, who returned, and the one-off guests, readable as a network.
Can it sit with other maps?
Yes. Companion prints cover other Manchester bands in the same series, so a gift can grow into a wall of related careers.
Unframed or framed?
Both. Choose unframed, or framed and ready to hang, when you pick size.

