Morrissey Discography Tube Map Art Print
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£39.00 - Regular price
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- Sale price
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£39.00
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PRINT SIZES: A2 Giclée Art Print - 16x23" / 42x59.4 cm | A1 Giclée Art Print - 23x33" / 59.4x84.1 cm | Visuals are representative of products in frames.
Why is this Morrissey Music Art Print a perfect gift for Morrissey fans?
This is a perfect gift for Morrissey fans who stopped keeping track somewhere in the 1990s, because this runs the four Smiths albums and the entire solo catalogue in order with every credited musician as their own line. They already own the records, and the recent guest list is genuinely startling.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Produced unframed or framed. Deeply researched and designed by me in East Sussex.
I plot these in CAD software. Every credited musician becomes a transit line, every album becomes a station, and anyone who appears only once gets a branch line of their own.
The stations run chronologically from The Smiths in 1984, through Viva Hate and Vauxhall and I, to the most recent records. One-off contributors branch off as short spurs.
Four albums with one band, then four decades with a rotating cast. The map holds both, so the Smiths' years sit at the left-hand end as a tight bundle, and everything after them fans outward.
Most fans know the early half. Very few could name who is on the last three records, and that is where the map earns its keep.
Contributing musicians on the map
Morrissey is the only line running the full length. Johnny Marr, Andy Rourke and Mike Joyce run beside him across all four Smiths albums and stop together in 1987.
Boz Boorer is the longest line of the solo years by a distance, joining at Your Arsenal in 1992 and still present thirty years later on Bonfire of Teenagers. Alain Whyte arrives with him, leaves after Years of Refusal, and returns for the most recent album.
Viva Hate opens the solo half with Vini Reilly of The Durutti Column on guitar and Stephen Street on bass, alongside a small string section. Mark E. Nevin of Fairground Attraction takes the guitar chair for Kill Uncle.
Ennio Morricone arranged the strings on Dear God Please Help Me, from Ringleader of the Tormentors in 2006. It is one of the least likely single stations anywhere in my catalogue.
Jesse Tobias picks up guitar from that album onward, with Gustavo Manzur and Matt Walker carrying much of the later sound. Chrissie Hynde and Jeff Beck both appear once on Years of Refusal.
The last three records are the surprise. California Son brings in Billie Joe Armstrong, Petra Haden, Ed Droste and, credited for dog barking, Little Willie Iniesta. I Am Not a Dog on a Chain adds Thelma Houston, Greg Leisz, and two people credited simply as "laughing."
Bonfire of Teenagers is the busiest guest station of all: Flea, Chad Smith and Josh Klinghoffer of the Red Hot Chili Peppers, plus Iggy Pop and Miley Cyrus.
Print Specifications:
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A3, A2 or A1 (every size unframed or framed), ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A3 | 420 x 297 mm (16 x 12 in) | 16 x 12 in | Landscape |
| A2 | 594 x 420 mm (23 x 16 in) | 24 x 18 in | Landscape |
| A1 | 841 x 594 mm (33 x 23 in) | 36 x 24 in | Landscape |
FAQ
Does the map include The Smiths?
Yes. All four Smiths albums sit at the start of the map, with Marr, Rourke and Joyce running beside Morrissey until 1987.
Did Ennio Morricone really work with Morrissey?
Yes, arranging the strings on Dear God Please Help Me, from Ringleader of the Tormentors in 2006.
Who is the longest-serving solo-era musician?
Boz Boorer, whose guitar line runs from Your Arsenal in 1992 through to Bonfire of Teenagers.
Are the Red Hot Chili Peppers on the map?
Three of them. Flea, Chad Smith and Josh Klinghoffer all appear on Bonfire of Teenagers, alongside Iggy Pop and Miley Cyrus.
Is there really a dog on the map?
Yes. Little Willie Iniesta is credited with dog barking on California Son.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Why is this not sold as a Morrissey poster?
Because the detail needs better paper than a poster gives it. I print each map as a Giclée on 230gsm acid-free fine art paper with a textured matte finish. It comes in A3, A2 or A1, every size unframed or in a black-wood frame.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and The Smiths collection at mikebellmaps.com.
For the other half of the story, the Johnny Marr Discography Map Art Print plots everything he made afterwards, and the Smiths Discography Map Art Print puts both careers on one sheet.
Shipping & Fulfilment
Christmas offer, until 7 December: free delivery on all art prints, framed or unframed, to the UK, Europe, the US and Australia. Not included: delivery to Canada, which is charged at checkout.
No import duties - fulfilled locally in the UK, USA, and EU
Tracked delivery across the UK, US, and EU (Royal Mail in the UK), with delivery calculated at checkout. Printed, mounted, framed, and packed in an average of 1--2 business days, then shipped in an average of 3--5 business days. Estimated delivery dates are shown at checkout.
Schedules are subject to workshop workloads across the UK, EU, USA, Canada, and Australia.










Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames and glazing that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Available in two sizes, A2 and A1, plus the US equivalents 24 x 18in and 36 x 24in
- Supplied unframed, or as a ready-to-hang framed art print, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Sizes
- A2: 420 x 594mm, sold in the US as 24 x 18in
- A1: 594 x 841mm, sold in the US as 36 x 24in
A1 is the size I point most people at where the wall allows it, because the branch lines and the smaller credits stay legible.
Frame Types and Materials
- Material: Solid, real wood construction
- Finish: Black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Unframed: The print on its own, supplied rolled in protective packaging
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Framed prints arrive fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Each of my prints is the result of detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.
I take pride in the precision behind every connection, date, and credit featured across the collection.

Meticulous Research, Human Process
My research combines album liner notes, musicians' input session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.
Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the maps' historical accuracy
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise; it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movies, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
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Albums as stations
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Musicians as lines
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Guests as branches
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230gsm Giclée
Joins, gaps and returns stay on the line
Each map is plotted in CAD from liner notes and archives in East Sussex. A musician who leaves and comes back shows a break, then a rejoin. Constant members run the full length. Guests sit on short spurs.
Drawn in CAD
Every credited player is a route, plotted line by line so the network stays readable at a glance.
The gap is part of the story
When a line breaks and returns, you see the absence as clearly as the credit.
From the sleeves
Designed from archives and sleeve credits, not a guessed line-up.
Paper that holds the lines
Archival Giclée, made to order
Printed on 230gsm premium fine art paper with a textured matte, archival and acid-free finish, so the fine coloured routes stay sharp.
Giclée art print
Glossy poster
Landscape sizes that fill a wall
Pick A3, A2 or A1 in landscape. A2 and A1 can arrive in a black-wood frame, ready to hang.
The career the records cannot show
Every credit and every handover on one sheet. Hang it with other Manchester maps from the same series.
The print
Gifting
Is this a poster?
It is an art print, made to order as a Giclée on 230gsm archival fine art paper with a textured matte surface.
What does one sheet give you that the albums do not?
The full credited cast at once: who stayed, who left, who returned, and the one-off guests, readable as a network.
Can it sit with other maps?
Yes. Companion prints cover other Manchester bands in the same series, so a gift can grow into a wall of related careers.
Unframed or framed?
Both. Choose unframed, or framed and ready to hang, when you pick size.

