Researched Connections - Art Prints For Intelligent Fans
ELO Gift for Fans | Music Tube Map Art Print
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£42.00 - Regular price
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£42.00
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A gift for ELO fans who have never heard of Ted Blight, because this runs all 16 albums with every credited musician as their own line. They already own the records, and one line on this map leads to a cellist Jeff Lynne appears to have invented.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Produced in A1 only, with US sizing at 36 x 24 in, unframed or framed. Deeply researched and designed by me in East Sussex.
I plot these in CAD software. Every credited musician becomes a transit line, every album becomes a station, and anyone who appears only once gets a branch line of their own.
The stations run chronologically from the 1971 debut, through A New World Record and Out of the Blue, to From Out of Nowhere in 2019.
Why this ELO discography tube map art makes a gift fans keep
A band built on strings and studio craft leaves a very particular trail: cellists and violinists arriving in threes, an orchestral arranger running for a decade, and one credit that turns out to be a joke.
Two Beatles also appear, something most ELO fans wouldn't tell you. It rewards every closer look.
Contributing musicians on the map
Jeff Lynne is the only line running the entire length. Richard Tandy's keyboards cover almost all of it, and Bev Bevan drums from the debut through Balance of Power.
Roy Wood, who co-founded the band, appears on the first two albums and no further, playing cello, bass and a list of woodwinds that runs to krumhorn on the debut alone.
On the Third Day credits a cellist named Ted Blight on the UK pressing. He appears to have been a figment of Lynne's imagination, which makes him the only line on any of my maps that leads nowhere at all.
Marc Bolan of T. Rex plays guitar on ELO 2 and again on On the Third Day, and Carl Wayne of The Move sings lead on three tracks of ELO 2.
The string section becomes the band's backbone: Mik Kaminski on violin, Hugh McDowell, Mike Edwards and Melvyn Gale on cello, with Louis Clark arranging the orchestra and choir across most of the classic run.
Xanadu in 1980 is the strangest station on the print. Olivia Newton-John shares the record, Cliff Richard sings a duet, four members of The Tubes play on one track, and Gene Kelly takes a co-lead vocal.
Zoom in 2001 quietly puts two Beatles on an ELO album. George Harrison plays slide guitar on two tracks, and Ringo Starr drums on two others.
How I make each print
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A2 or A1, unframed or framed, ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A2 | 594 x 420 mm (23 x 16 in) | 24 x 18 in | Landscape |
| A1 | 841 x 594 mm (33 x 23 in) | 36 x 24 in | Landscape |
FAQ
Who is Ted Blight?
A cellist credited on the UK pressing of On the Third Day, and by most accounts, a name Jeff Lynne made up. He appears on the map exactly as credited.
How many albums does Roy Wood appear on?
Two. He co-founded the band and played on the 1971 debut and ELO 2 before leaving to form Wizzard.
Is Marc Bolan on the map?
Yes, playing guitar on "ELO 2" and "On the Third Day".
Are there Beatles on an ELO record?
Two, on Zoom in 2001. George Harrison plays slide guitar, and Ringo Starr plays drums, on separate tracks.
What happens on Xanadu?
It sits on the map as a split station shared with Olivia Newton-John, and brings in Cliff Richard, Gene Kelly and four members of The Tubes.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the Prog Rock collection at mikebellmaps.com.
Because George Harrison and Ringo Starr both play on Zoom, the George Harrison Discography Map Art Print is a natural companion piece, alongside the ABBA Discography Map Art Print.
What people say about my tube map designs
“Brilliant idea... really like what you’ve done, Mike.”
Billy Bragg, on the Billy Bragg discography map
“It is truly amazing.”
Bruce Springsteen Archives, Monmouth University, on the Bruce Springsteen discography map
“Awesome!”
Warren Ellis, on the The Shining plot map
Not sure which artist they'd love?
Let them choose their own map — gift cards never miss a note.
Give a gift card instead →



Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames, glazing, and canvas options that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Ready-to-hang framed art prints, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Stretched canvas option available on a 4cm deep floater frame
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Frame Types and Materials
- Material: Solid, real wood construction
- Finishes: Available in black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Canvas frames: Specialised 4cm deep floater frames that give the canvas a suspended, gallery-style look
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
- Canvas depth: 4cm deep on floater frames
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Arrives fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Canvas Option
For customers who prefer a frameless wall presence, every map is also available as a stretched canvas print on a 4cm deep floater frame. Same Giclée image quality, presented with a suspended, gallery-style depth that works well on larger walls. Ready to hang straight from the box.
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Every one of my prints is the result of my detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.

I take pride in the precision behind every connection, date, and credit featured across the collection.
Meticulous Research, Human Process
My research combines album liner notes, musicians' inputs, session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.

Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the historical accuracy of the maps.
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise, it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movie, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.

