Researched Connections - Art Prints For Intelligent Fans
Tom Petty / Heartbreakers Gift for Fans | Music Tube Map Art Print
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A gift for Tom Petty fans who have never seen the Heartbreakers, the Traveling Wilburys, and Mudcrutch drawn as one network, because this runs through all twenty-three releases, with every credited musician as their own line. They own the records already. On two of these stations, the entire band is hiding behind false surnames.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Available in A2 or A1, with US sizing at 24x18in and 36x24in, unframed or framed. Deeply researched and designed by me in East Sussex.
I plot these in CAD software. Every credited musician becomes a transit line, every album becomes a station, and anyone who appears only once gets a branch line of their own.
The stations run chronologically from the 1976 debut to the Wildflowers and All the Rest set in 2020, including the solo records, both Wilburys albums, and both Mudcrutch albums.
Why this Tom Petty discography tube map art makes a gift fans keep
The Heartbreakers are usually written up as a backing band. Drawn out like this, they are five separate lines with very different lengths, and the bass and drum chairs change hands repeatedly while the guitar and keyboards never do.
It rewards every closer look, particularly around 1988, when four famous names turn up under invented ones.
Contributing musicians on the map
Mike Campbell on guitar and Benmont Tench on keyboards are the two constants beside Petty, running from the 1976 debut to the last records. Ron Blair, Howie Epstein, Stan Lynch, Steve Ferrone and Scott Thurston fill the other chairs on a rotating basis.
The two Traveling Wilburys stations are the strangest things in the print because everyone is credited under a fake name. Petty is Charlie T. Wilbury Jr and later Muddy; George Harrison is Nelson and then Spike; Jeff Lynne is Otis then Clayton; Bob Dylan is Lucky then Boo; and Roy Orbison is Lefty.
Jim Keltner drums on the first of those albums as Buster Sidebury, and Gary Moore appears on the second as Ken Wilbury, playing lead guitar on one track.
Southern Accents is the densest station. Dave Stewart of the Eurythmics plays bass, guitar and sitar across it, Garth Hudson and Richard Manuel of The Band appear on one track, and Jack Nitzsche arranges strings.
Hard Promises brings in Stevie Nicks, and Echo brings in Lindsey Buckingham, so both halves of that partnership appear on this map eighteen years apart. Roger McGuinn of the Byrds and Richard Tandy of ELO both play on Into the Great Wide Open.
Wildflowers adds Ringo Starr on one track, Carl Wilson of the Beach Boys on another, and a Michael Kamen orchestration. Full Moon Fever credits Del Shannon with barnyard noises and a child with a scream on Zombie Zoo.
Randall Marsh has the longest gap on the print. He drums on one track of the 1976 debut, disappears entirely, and comes back for both Mudcrutch albums thirty-two years later.
How do I make each print?
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A2 or A1, unframed or framed, ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A2 | 594 x 420 mm (23 x 16 in) | 24 x 18 in | Landscape |
| A1 | 841 x 594 mm (33 x 23 in) | 36 x 24 in | Landscape |
FAQ
Are the Traveling Wilburys on the map?
Both albums, with everyone under their Wilbury names exactly as the sleeves print them.
Who plays on the most releases apart from Petty?
Mike Campbell and Benmont Tench, the two Heartbreakers who never leave.
Is Mudcrutch included?
Yes, both albums bring back two musicians from the 1976 debut.
Which album has the most credited musicians?
Southern Accents in 1985, with a horn section, a gospel choir and guests from The Band and the Eurythmics.
Is Bob Dylan on it?
Yes, on both Wilbury's albums, credited as Lucky Wilbury and then Boo Wilbury.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the Music Icons collection at mikebellmaps.com.
George Harrison shares both Wilburys stations, so the George Harrison Discography Map Art Print is a direct companion piece, and Stevie Nicks and Lindsey Buckingham connect this map to the Fleetwood Mac Discography Map Art Print.
What people say about my tube map designs
“Brilliant idea... really like what you’ve done, Mike.”
Billy Bragg, on the Billy Bragg discography map
“It is truly amazing.”
Bruce Springsteen Archives, Monmouth University, on the Bruce Springsteen discography map
“Awesome!”
Warren Ellis, on the The Shining plot map
Not sure which artist they'd love?
Let them choose their own map — gift cards never miss a note.
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Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames and glazing that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Available in two sizes, A2 and A1, plus the US equivalents 24 x 18in and 36 x 24in
- Supplied unframed, or as a ready-to-hang framed art print, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Sizes
- A2: 420 x 594mm, sold in the US as 24 x 18in
- A1: 594 x 841mm, sold in the US as 36 x 24in
A1 is the size I point most people at where the wall allows it, because the branch lines and the smaller credits stay legible.
Frame Types and Materials
- Material: Solid, real wood construction
- Finish: Black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Unframed: The print on its own, supplied rolled in protective packaging
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Framed prints arrive fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Every one of my prints is the result of my detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.

I take pride in the precision behind every connection, date, and credit featured across the collection.
Meticulous Research, Human Process
My research combines album liner notes, musicians' inputs, session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.

Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the historical accuracy of the maps.
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise, it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movie, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.

