Researched Connections - Art Prints For Intelligent Fans
Fleetwood Mac Gift for Fans | Music Tube Map Art Print
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A gift for Fleetwood Mac fans who long ago lost track of which line-up made which record, because this lays all 19 albums out with every credited musician running as their own line. They own Rumours already. This is the other eighteen, explained.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Available in A2 or A1, with US sizing at 24x18in and 36x24in, unframed or framed. Deeply researched and designed by me in East Sussex.
I plot these in CAD software. Every credited musician becomes a transit line, every album becomes a station, and anyone who appears only once gets a branch line of their own.
The stations run chronologically from the British blues of the 1968 debut, through Rumours and Tusk, to Say You Will in 2003.
Why this Fleetwood Mac discography tube map art makes a gift fans keep
No band in this catalogue changes shape as often. Two men run the whole length of the map and almost everyone else arrives, leaves, and in one case comes back years after everybody assumed they had gone for good.
Drawn as lines, the band's history stops being a list of names and becomes something you can follow with a finger. It rewards every closer look.
Contributing musicians on the map
Mick Fleetwood and John McVie are the only two credited on all 19 albums, a span of 35 years. Everything else on the map moves around them.
Peter Green's line is the one that surprises people. It runs through the early blues records, stops, and then reappears twice: once on Penguin in 1973 and again on Tusk in 1979, long after he had left the band.
Christine McVie's line starts earlier than most fans expect. She appears on Mr Wonderful in 1968 and Then Play On in 1969, credited under her own name, Christine Perfect, before joining properly from Kiln House in 1970 and staying to the end.
Lindsey Buckingham and Stevie Nicks arrive together on the self-titled 1975 album. Nicks then has exactly one gap in her line: she is absent from Time in 1995.
Bob Brunning has the shortest line on the map. He plays bass on the first album and nothing else, because John McVie replaced him.
Fleetwood Mac in Chicago in 1969 is the strangest station of all, a blues summit that brings Otis Spann, Willie Dixon, Buddy Guy, David “Honeyboy” Edwards and Walter “Shakey” Horton onto the map for one record each.
Later oddities are worth hunting for. The USC Trojan Marching Band appears on Tusk, Sheryl Crow on Say You Will, and three of the members' children have stations of their own: Lucy Fleetwood, Jessica James Nicks and Molly McVie.
How I make each print
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A2 or A1, unframed or framed, ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A2 | 594 x 420 mm (23 x 16 in) | 24 x 18 in | Landscape |
| A1 | 841 x 594 mm (33 x 23 in) | 36 x 24 in | Landscape |
FAQ
Who is on every Fleetwood Mac album?
Mick Fleetwood and John McVie, the only two constants across all 19 records, from 1968 to 2003.
How are the maps drawn?
In CAD software, plotted line by line. Every credited musician is a transit line, every album a station, and one-off contributors branch off the main routes.
Does Peter Green appear after he left the band?
Yes, twice. His line reappears on Penguin in 1973 and again on Tusk in 1979.
When does Christine McVie first appear?
Earlier than most people think. She is credited as Christine Perfect on Mr Wonderful in 1968 and Then Play On in 1969, before joining properly from Kiln House.
Which album is Stevie Nicks missing from?
Time in 1995, the only gap in her line after she joins in 1975.
What is Fleetwood Mac in Chicago?
A 1969 session recorded with Chicago blues musicians including Otis Spann, Willie Dixon and Buddy Guy, which appears on the map as its own crowded station.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the 1970s Music Tube Maps collection at mikebellmaps.com.
For fans of harmony-driven rock songwriting, the ELO Discography Map Art Print and the Dire Straits Discography Map Art Print are natural companion pieces.
What people say about my tube map designs
“Brilliant idea... really like what you’ve done, Mike.”
Billy Bragg, on the Billy Bragg discography map
“It is truly amazing.”
Bruce Springsteen Archives, Monmouth University, on the Bruce Springsteen discography map
“Awesome!”
Warren Ellis, on the The Shining plot map
Not sure which artist they'd love?
Let them choose their own map — gift cards never miss a note.
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Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames, glazing, and canvas options that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Ready-to-hang framed art prints, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Stretched canvas option available on a 4cm deep floater frame
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Frame Types and Materials
- Material: Solid, real wood construction
- Finishes: Available in black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Canvas frames: Specialised 4cm deep floater frames that give the canvas a suspended, gallery-style look
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
- Canvas depth: 4cm deep on floater frames
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Arrives fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Canvas Option
For customers who prefer a frameless wall presence, every map is also available as a stretched canvas print on a 4cm deep floater frame. Same Giclée image quality, presented with a suspended, gallery-style depth that works well on larger walls. Ready to hang straight from the box.
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Every one of my prints is the result of my detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.

I take pride in the precision behind every connection, date, and credit featured across the collection.
Meticulous Research, Human Process
My research combines album liner notes, musicians' inputs, session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.

Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the historical accuracy of the maps.
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise, it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movie, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.

