Researched Connections - Art Prints For Intelligent Fans
David Bowie Gift for Fans | Music Tube Map Art Print
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£42.00 - Regular price
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A gift for David Bowie fans who know the reinventions but not who actually carried them, because this runs every credited musician as their own line across 26 studio albums. They own the records already, and this is the thread running underneath all of them.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Available in A2 or A1, with US sizing at 24x18in and 36x24in, unframed or framed. Deeply researched and designed by me in East Sussex.
I plot these in CAD software. Every credited musician becomes a transit line, every album becomes a station, and anyone who appears only once gets a branch line of their own.
The stations run chronologically from the 1967 debut, through the Ziggy Stardust era and the Berlin trilogy, to Blackstar in 2016.
Why this David Bowie discography tube map art makes a gift fans keep
Bowie changed shape so often that most fans hold him as a series of separate eras rather than one career. Lines do what a shelf of records cannot: they show you who stayed when everything else changed.
This particular design is held in the permanent collection at the V&A David Bowie Centre, V&A East Storehouse, London. The full story on your wall, and the same design an institution chose to keep.
Contributing musicians on the map
Carlos Alomar and Mike Garson are the two longest lines after Bowie himself, eleven albums each. Alomar's guitar starts at Young Americans in 1975, and Garson's piano goes back further, to Aladdin Sane in 1973.
Tony Visconti spans nine albums as producer and player, including the Berlin trilogy and the late return to form. Dennis Davis drums across the six-album Berlin and post-Berlin run, with George Murray on bass alongside him for five.
Mick Ronson's line does something no other does. It runs from The Man Who Sold the World through Pin Ups, stops for two decades, then reappears once on Black Tie White Noise in 1993.
Young Americans in 1975 is where the map gets crowded, 19 credited musicians on one record, and two of the most surprising lines on the whole print are single stations there: John Lennon and Luther Vandross.
Black Tie White Noise is the densest station of all, 24 credited musicians. Nile Rodgers has a station on Let's Dance in 1983 and another there in 1993, and Robert Fripp's two are Heroes and Scary Monsters.
The short lines repay the closest look. Ronnie Wood plays on Pin Ups and nothing else, Dana Gillespie appears once on Ziggy Stardust, Iggy Pop turns up on Low and again on Tonight, and Pete Townshend bridges 23 years with only two stations, Scary Monsters in 1980 and Reality in 2003.
How I make each print
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A2 or A1, unframed or framed, ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A2 | 594 x 420 mm (23 x 16 in) | 24 x 18 in | Landscape |
| A1 | 841 x 594 mm (33 x 23 in) | 36 x 24 in | Landscape |
FAQ
Is this map really held by the V&A?
Yes, this design is held in the permanent collection at the V&A David Bowie Centre, V&A East Storehouse, London.
How are the maps drawn?
In CAD software, plotted line by line. Every credited musician is a transit line, every album a station, and one-off contributors branch off the main routes.
How many albums are on the map?
26 studio albums, running from the 1967 debut to Blackstar in 2016.
Who are the longest-serving contributing musicians?
Carlos Alomar and Mike Garson, eleven albums each, then Tony Visconti across nine as producer and player.
Is John Lennon really on the map?
Yes, as a single station on Young Americans in 1975, and nowhere else. Luther Vandross appears on that same record.
Why is Toy not included?
Toy was released in 2021, after the map was drawn, so it does not currently appear.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the Music Icons collection at mikebellmaps.com.
For fans of era-spanning reinvention and glam rock, the Sparks Discography Map Art Print and the Kate Bush Discography Map Art Print are natural companion pieces.
What people say about my tube map designs
“Brilliant idea... really like what you’ve done, Mike.”
Billy Bragg, on the Billy Bragg discography map
“It is truly amazing.”
Bruce Springsteen Archives, Monmouth University, on the Bruce Springsteen discography map
“Awesome!”
Warren Ellis, on the The Shining plot map
Not sure which artist they'd love?
Let them choose their own map — gift cards never miss a note.
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Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames, glazing, and canvas options that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Ready-to-hang framed art prints, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Stretched canvas option available on a 4cm deep floater frame
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Frame Types and Materials
- Material: Solid, real wood construction
- Finishes: Available in black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Canvas frames: Specialised 4cm deep floater frames that give the canvas a suspended, gallery-style look
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
- Canvas depth: 4cm deep on floater frames
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Arrives fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Canvas Option
For customers who prefer a frameless wall presence, every map is also available as a stretched canvas print on a 4cm deep floater frame. Same Giclée image quality, presented with a suspended, gallery-style depth that works well on larger walls. Ready to hang straight from the box.
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Every one of my prints is the result of my detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.

I take pride in the precision behind every connection, date, and credit featured across the collection.
Meticulous Research, Human Process
My research combines album liner notes, musicians' inputs, session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.

Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the historical accuracy of the maps.
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise, it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movie, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.

