Researched Connections - Art Prints For Intelligent Fans
John Lennon Gift for Fans | Music Tube Map Art Print
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A gift for John Lennon fans who are tired of being handed the round glasses and one lyric, because this maps twelve albums including the six he made with Yoko Ono. They own the records already. Half of these stations get left out of the story entirely.
Giclée on 230gsm premium fine art paper, textured matte, archival and acid-free. Available in A2 or A1, with US sizing at 24x18in and 36x24in, unframed or framed. Deeply researched and designed by me in East Sussex.
I drew this one so that each credited musician calls at every album they played on, in the style of a classic tube map. The stations run chronologically from Two Virgins in 1968 to Milk and Honey in 1984, taking in the five solo albums, the six made with Yoko Ono and the posthumous record.
Why this John Lennon discography tube map art makes a gift fans keep
Two Beatles appear on this map as sidemen. Ringo Starr drums on two stations and George Harrison plays on three, including sitar on a Yoko Ono record.
Not an algorithm - every connection on this map was made by hand, by an obsessive fan. I follow the sleeve credits exactly, which is why one station carries a set of names that look like typing errors and are not.
Contributing musicians on the map
John Lennon runs the full width. Yoko Ono is on eight of the twelve, and on the 1970 Plastic Ono Band album her credit reads simply as wind.
Klaus Voormann is the longest sideman line, playing bass across six albums from 1970 onwards. Jim Keltner is on five, and Nicky Hopkins on four.
Some Time in New York City is the strangest station on the print. The sleeve renames the guests, so Eric Clapton is Derek Claptoe, Keith Moon is Kief Spoon, Klaus Voormann is Raus Doorman and Nicky Hopkins is Sticky Topkins, with the audience credited as a cast of thousands.
Yoko Ono's Plastic Ono Band album brings four free jazz musicians onto the map for a single track, with Ornette Coleman on trumpet, Charlie Haden and David Izenzon on double bass and Ed Blackwell on drums.
Rock 'n' Roll pulls in the Los Angeles session world under Phil Spector, including Hal Blaine, Leon Russell, Steve Cropper, Jesse Ed Davis and José Feliciano. Walls and Bridges has Elton John on two tracks and Julian Lennon, aged eleven, drumming on Ya Ya.
Double Fantasy and Milk and Honey share a New York band including Earl Slick, Tony Levin, Hugh McCracken and Andy Newmark, with a steel drum on Beautiful Boy and a hammer dulcimer on Watching the Wheels. Carlos Alomar sings backing vocals on Milk and Honey.
How I make each print
Each one is a Giclée on 230gsm premium fine art paper with a textured matte finish, archival and acid-free, so the colours hold for years. Choose A2 or A1, unframed or framed, ready to hang in a hallway, living room or studio.
| Size | UK | USA / CAN / AUS equivalent | Orientation |
|---|---|---|---|
| A2 | 594 x 420 mm (23 x 16 in) | 24 x 18 in | Landscape |
| A1 | 841 x 594 mm (33 x 23 in) | 36 x 24 in | Landscape |
FAQ
Are the Yoko Ono albums included?
Yes, all six, from Two Virgins in 1968 through to Double Fantasy.
Do any Beatles appear?
Ringo Starr and George Harrison both do, as credited musicians on Lennon's records rather than as a reunion.
Why do some names look misspelled?
Because they are, deliberately. Some Time in New York City credits its guests under joke names, and I have kept them as printed.
Is Ornette Coleman really on the map?
Yes, playing trumpet on a single track of Yoko Ono's Plastic Ono Band album with Charlie Haden and Ed Blackwell.
Who is the most frequent sideman?
Klaus Voormann on bass, across six of the twelve albums.
What are the framing options?
Unframed, or supplied framed and ready to hang.
Related Music Maps
Browse the full range of gifts for music fans at the Gifts for Music Fans collection and the Music Icons collection at mikebellmaps.com.
George Harrison plays on three of these albums, so the George Harrison Discography Map Art Print is a direct companion piece, and Keith Moon's appearance under a false name connects it to the Who Discography Map Art Print.
What people say about my tube map designs
“Brilliant idea... really like what you’ve done, Mike.”
Billy Bragg, on the Billy Bragg discography map
“It is truly amazing.”
Bruce Springsteen Archives, Monmouth University, on the Bruce Springsteen discography map
“Awesome!”
Warren Ellis, on the The Shining plot map
Not sure which artist they'd love?
Let them choose their own map — gift cards never miss a note.
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Tube Map Art Print Specifications
Every map I sell is printed and framed to archival Giclée standards, matching the level of research and detail that goes into each design. These are proper ready-to-hang fan gifts, not flat-packed kits or plastic shortcuts. Below are the full specifications for the paper, frames, glazing, and canvas options that underpin the production process at mikebellmaps.com.
Tube Map Art Print Specifications at a Glance
- Ready-to-hang framed art prints, fully assembled out of the box
- Handmade Italian wooden frames in solid, real wood
- Available in black
- Slim modern gallery profile: 1.5cm wide and deep on A2, 2cm wide and deep on A1
- Premium plexiglass glazing, lightweight and shatter-resistant for safe global shipping
- Museum-quality Giclée printing for exceptional detail and colour accuracy
- 230gsm premium fine art paper with a textured matte finish
- Archival, acid-free stock for long-term colour stability
- Stretched canvas option available on a 4cm deep floater frame
- Pre-fitted sawtooth hangers and rubber bumpers, ready for portrait or landscape display
- Made to order, printed locally, shipped worldwide in protective packaging
Printed Globally
I work with a network of vetted local print partners across the UK, Europe, North America and beyond. Every print in my catalogue is produced to the same museum-quality Giclée standard wherever it is made, with local printing in international markets to reduce shipping miles and avoid unnecessary customs charges for customers.
Paper Specifications
All prints are produced on 230gsm premium fine art paper, an archival-grade, acid-free stock with a textured matte surface that holds the fine line work my discography maps depend on.
- Weight: 230gsm, substantial in the hand, with the heft you would expect from a gallery print
- Finish: Textured matte, natural white
- Surface: Enhances depth without losing print clarity
- Acid-free: Yes, archival grade, designed for long-term colour stability
- Print method: Museum-quality Giclée for exceptional detail and colour accuracy, ideal for the dense typography on my maps, from session musician credits to film plot quotes
Frame Types and Materials
- Material: Solid, real wood construction
- Finishes: Available in black
- Poster frames: Handmade Italian wooden frames paired with high-quality plexiglass
- Canvas frames: Specialised 4cm deep floater frames that give the canvas a suspended, gallery-style look
Frame Dimensions and Profile
- A2 (and up to 50 x 70cm): 1.5cm wide, 1.5cm deep, slim modern gallery profile
- A1 (and above): 2cm wide, 2cm deep, a more substantial frame on the larger prints
- Canvas depth: 4cm deep on floater frames
Premium Plexiglass Glazing
Protecting the artwork is the priority, but so is ensuring it arrives in one piece. Every framed print is glazed with 1-2mm premium plexiglass as standard.
- Crystal-clear viewing surface
- Lightweight, which keeps shipping costs and impact down
- Virtually shatterproof in global transit, particularly on the larger A1 prints, where glass becomes a real risk
- Safer to handle when you are hanging or rearranging the print
Assembly and Hanging
- Arrives fully assembled and ready to hang, no extra hardware needed
- Sawtooth hangers pre-installed for quick mounting
- Turn buttons included for easy access to the back panel
- Rubber bumpers fitted to protect walls and keep the frame level
- Suitable for both portrait and landscape display
Canvas Option
For customers who prefer a frameless wall presence, every map is also available as a stretched canvas print on a 4cm deep floater frame. Same Giclée image quality, presented with a suspended, gallery-style depth that works well on larger walls. Ready to hang straight from the box.
Made to Order, Printed Locally, Shipped Globally
Every print is made on demand, never warehoused. That means fresher prints, no overproduction, and the flexibility to keep my catalogue at mikebellmaps.com growing without having to hold stock.
Wherever possible, prints are produced as close as possible to the delivery address, which means faster delivery and fewer customs surprises. The same museum-quality Giclée standard, whether the print is heading to Brighton or Brooklyn. Packaged in custom-engineered protective packaging for the journey.
For more on local fulfilment, see my locally printed tube maps delivery page.
Tube Map Print Accuracy & Updates
Every one of my prints is the result of my detailed research, cross-referencing, and design refinement. Each tube map is handcrafted to present the most accurate possible picture of an artist’s recording history, a film’s storyline, or a cultural timeline.

I take pride in the precision behind every connection, date, and credit featured across the collection.
Meticulous Research, Human Process
My research combines album liner notes, musicians' inputs, session archives, fan databases, interviews, and verified public sources to ensure each map is factually sound.
However, even the most carefully researched projects can contain minor errors or omissions, especially when dealing with complex discographies and multi-decade histories.

Community Feedback & Collaboration
I actively welcome feedback from fans, collectors, and artists who spot inconsistencies or have new information to share. Each correction helps refine future editions and strengthens the historical accuracy of the maps.
Contributors who provide verified updates receive discounts on future orders as a thank-you for their diligence and support.
Commitment to Quality
Accuracy isn’t just a promise, it’s part of the creative process. Every update and reprint reflects a commitment to truth, design integrity, and respect for the Music, Movie, and other stories represented.
I value the relationship with my customers and the collaboration that ensures these works continue to evolve and stay relevant.
I will always strive to combine artistic expression with documentary accuracy, celebrating creativity through precision and openness.
How to Care for Your Art Print
Thank you for choosing a Mike Bell Maps Giclee Print. To ensure your artwork remains as vibrant as the day it was printed for the next century, please follow these professional handling guidelines:
1. The "Clean Hands" Rule - Giclee prints are created with archival pigment inks that sit on the surface of the 230 gsm paper. Natural skin oils can transfer to the ink. We recommend washing and drying your hands thoroughly before handling or wearing white cotton "archival" gloves if available.
2. Avoid the "Roll-Back" - If your print arrived in a tube, let it flatten naturally. Lay it on a clean, flat surface and place a few heavy, smooth objects (like books) on the corners. Never roll the print tightly in the opposite direction, as this can "stress" the heavy paper fibres and cause creasing.
3. Framing is Protection - To ensure the 100+ year lightfastness guarantee, we recommend framing your print behind UV-protective glass or acrylic. Always use acid-free mounting materials (like the mounts provided in our framed options) to prevent "paper burn" or yellowing over time.
4. Location Matters - While our inks are gallery-standard, prolonged exposure to direct, harsh sunlight can eventually affect any pigment. For maximum longevity, hang your map in a location that avoids consistent direct afternoon sun and high-humidity environments (like bathrooms).
5. Dusting - If your print is unframed, never use water or cleaning sprays. A soft, dry microfiber cloth or a clean squirrel-hair brush is all that is needed to remove surface dust.

