The Smiths Albums & Solo Afterwards

The Smiths Albums: Imagining the Ones They Never Made

Mike Bell

The Smiths left a lasting impact with their four studio albums before disbanding in 1987. But what if they had stayed together? In this blog post,

I explore what the next Smiths Albums might have been like, drawing inspiration from the solo careers of Morrissey and Johnny Marr as indicators of content, styles, and collaborations. I’ll imagine three hypothetical albums that could have continued their legacy. 

PLUS - What would the three later (fictional - oulined below) Smiths albums been called? Leave a comment below..

Framed infographic showing the band split of The Smiths and solo careers of Morrissey and Johnny Marr.

Lyrical and Musical Evolution of The Smiths Albums

Morrissey’s solo work, such as Viva Hate (1988) and Vauxhall and I (1994), shows he kept focusing on outsider themes but with a sharper political edge, addressing issues like technology and identity (Morrissey – What Is His Best Solo Album? We’ve Ranked Them).

Wall-mounted framed print visualizing Morrissey’s collaborations and album history.

Johnny Marr, meanwhile, explored glam rock, folk, and electronic sounds in albums like The Messenger (2013) and Fever Dreams Pts 1-4 (2022), suggesting a mix of jangly guitars and synthesizers could have enriched future The Smiths Albums.

Wall-mounted framed print of Johnny Marr albums history, designed as a transit-style map.

Hypothetical The Smiths Albums

Here are three imagined The Smiths Albums that might have emerged if the band had continued:

  • ??? (2000): A look at modern life with electronic beats and orchestral strings, blending Morrissey’s critiques and Marr’s experiments.
  • ??? (2010): Focusing on identity and immigration, with folk and electronic textures, keeping their outsider vibe.
  • ??? (2020): A forward-thinking blend of rock, electronic, and orchestral sounds emphasizing resilience.

An unexpected twist? Given their solo collaborations—like Marr with Talking Heads or Morrissey with various producers—guest artists could have joined, adding fresh layers to these Smiths Albums.

Detailed Analysis: What Could Have Been

Background: The Smiths’ Breakup and Solo Careers

The Smiths released four iconic albums—The Smiths (1984), Meat Is Murder (1985), The Queen Is Dead (1986), and Strangeways, Here We Come (1987)—before splitting due to tensions between Morrissey and Marr. Their solo careers offer clues about how The Smiths Albums might have evolved.

Lyrical Themes in Future The Smiths Albums

Morrissey’s focus on identity and social issues could have grown more explicit, tackling topics like social media or immigration. Marr’s themes of resilience, seen in Call the Comet, might have added depth to these The Smiths Albums.

Musical Style and Production

Marr’s experimental edge—think synthesizers and folk—could have blended with Morrissey’s orchestral leanings, creating a polished yet diverse sound (Johnny Marr’s 5-star compilation collects his best solo work). Production would likely have advanced, reflecting modern tech.

Potential Collaborations

Marr’s work with Pet Shop Boys, Hans Zimmer, and Morrissey’s with Stephen Street hint at guest artists enhancing The Smiths Albums.

Hypothetical Album Concepts

Album Title Release Year Themes Musical Style Example Tracks
??? 2000 Modern life, technology, social media Electronic beats, orchestral strings "Echoes of the Past," "The Digital Age"
??? 2010 Identity, immigration, cultural displacement Folk influences, electronic textures "Global Wanderer," "The Last Stand"
??? 2020 Resilience, legacy, future changes Rock, electronic, orchestral blends "Future Shock," "The Final Chapter"

Supporting Evidence and Context

Tensions persist, as seen in Morrissey’s claim that Johnny Marr 'ignored’ the 2025 Smiths reunion offer, but their solo paths fuel this speculation. Marr’s frustration with “jingle jangle” labels (“Every time I opened a music paper it said, ‘Johnny Marr—jingle jangle’”) and their shared influences (The surprising song that bonded The Smiths duo) suggest evolution was possible.

The Legacy of The Smiths Albums

If The Smiths had continued, their albums would likely have mixed Morrissey’s outsider lyrics with Marr’s experimental sounds—think electronic, folk, and orchestral twists. The Smiths Albums like Modern Times, The Outsider’s Anthem, and Echoes of Tomorrow could have offered a richer, more complex sound, keeping their indie rock roots alive while pushing boundaries.

Key Citations

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Mike Bell creator of MikeBellMaps at Olympia Top Drawer Trade Show 2025

About the Author – Mike Bell

I'm Mike Bell, the artist and researcher behind Mike Bell Maps, where I specialise in transforming the complete studio histories of iconic bands into beautifully designed, tube-style music maps.

Each music map I create is the result of many, many hours of detailed research. I dig deep into liner notes, studio credits, archival interviews and discographies to chart every musician, guest player and collaborator who helped shape each album.

From debut LPs to final recordings, every line on my maps represents a genuine musical connection, carefully plotted to capture the evolving story of the band’s sound and legacy.

With my background in live production - from bands, to theatre and events - and a lifelong passion for data-driven storytelling, I combine obsessive attention to detail with clean, striking design.

My maps are printed on high-quality art paper and are sold as prints to fans, collectors and record stores across the UK and beyond.

If you're into music history, studio detail, and the hidden stories behind the sound, explore the full collection at mikebellmaps.com

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